VancannonArt

VancannonArt

Friday, October 31, 2014

just a fly on the wall (part one)

The three women trudged through the sand with big back packs and weird shaped boxes in hand. Their pace quickened as they reached the shoreline. After they dropped their things in the sand they wandered around the beach - almost like they were looking for shells or something... Soon they retrieved their boxes and wandered off. I soon realized that they were painters. Those weird boxes were portable easels. I sat at the top of the sand dune for a while and watched. The wind started to pick up and temperature drop, but they seemed determined to stick it out and paint. My curiosity  got the best of me and I wandered down the beach to take a look. Why can't I be a fly on the wall?


As I approached I couldn't believe how much they had accomplished in such a short amount of time! The one in the pink mixed beautiful pastel colors and added the people walking on the beach. The one in the hat was painting the sand dunes. How cool that they both were facing the same direction and took such different approaches! Another painted the waves rolling in. She used a variety of brilliant blues and greens to capture the essence of the magnificent ocean. The wind was blowing through my hair, I could taste the salty air on my tongue. The constant repetition of the waves was soothing. I came to the beach to get away, to retreat. These artists captured my moment on their canvases - a perfect reflection, impression, and desire.


I overheard one artist say they were coming back tomorrow. Maybe I'll come back too. They didn't seem to mind me watching and it was fun to see them in action. 


Don't miss out - Part II coming soon to an inbox near you. 
Visit www.vancannonart.com to see more works from Plein Air Monterey 2014

Sunday, October 26, 2014

Frisco Plein Air Day

I dropped off my paintings for the Alumni Auction at Academy of Art on Friday. It was fun to be in the city during all the World Series hype. Go Giants! After dropping off my work I made my way to North Beach (my old stomping grounds) and found a spot to set up my easel. It was a gorgeous fall day - Perfect painting weather.


North Beach, San Francisco is a wonderful place to plein air paint. Just start walking up a hill and look backwards to find a spot. This one was perfect for me since I found parking :), found shade, and most importantly was captivated by the view. 



Plein air pieces are quick impressions, a response. I used a limited palette and payed close attention to the values. Palette knife in hand, I finished up the buildings with some thick strokes of paint. It really helped bring volume to the layers of city buildings. 


The day was young so I made my way to Crissy Field. This is another great spot with Golden Gate views, Mount Tam in the background, and lots of adventure seekers getting out their kites and getting in with their boards. Did I mention there is also free parking?


The best part of painting this small 6x8 was watching the moody clouds roll in and out while I worked. It kept the piece fresh and me working fast. Sail boats, barges and kite boarders skirted around in the water as I worked.




Sitting by the Bay could be one of my favorite things. I love the wind, people watching, fresh air, and God / man made beauty! 

Happy Day - I am thankful to be so close to San Francisco! This city got into my heart and I feel energized every time I visit. Maybe you'll join me next time to #pleinairSF #pleinaircalifornia

To see finished works please check my website (www.vancannonart.com)under the Gallery Tab. I will be posting them soon. Works will also be for sale under Storefront Tab. 

Thursday, October 23, 2014

Art collector and enthusiast?

Do you love to surround yourself with beautiful things? Do you try to express yourself through your surroundings? Collecting art can tell a lot about a person, like fashion, its a projection of oneself. There are so many reasons to collect artwork. Sometimes the pieces I gravitate towards are bright in color and mood. Having these paintings in my surroundings make me happier on a daily basis. Other pieces I collect because they seem to touch a chord in my soul - like the piece was created just for me.
I snapped this photo in Washington DC this summer at The Museum of Fine Art. John Singer Sargent is one of
 those artists that takes my breathe away and elevates me to a higher place. 

Often, this is my goal when I create a painting. I want others to be able to relate, reminisce and have introspective thoughts and feelings.

Dancing At The Sock Hop, Oil on Canvas (click to view in store)

Although I often try to convey uplifting emotions with my figurative work, sometimes they come across more reserved. As we all know, life is not a bed of roses. These pieces we can relate to because they are rooted in our humanity.

Day Dream, Oil on Canvas (click to view in Store)

www.vancannonart.com - vancannonart@gmail.com



Monday, October 20, 2014

5 tips to keep going when the going gets tough

There are times as a professional painter that I don't always feel like getting into the studio and creating. This could create a problem since I rely on new paintings to sell and show. The longer I stay away the further behind I get on my projects and deadlines. My experience however, has helped me learn a few tricks that keep me on track in the studio. 

1. Get into a routine. 
Everyone knows how hard it is to start a workout routine and stick with it. Those who succeed at working out regularly usually refer to a daily routine. They get up in the morning or after work and immediately work out. For artists its no different. Make a schedule of when and how long your going to work, then set your alarm and get into the studio. 



Set your alarm and get into the studio!

2. Plan ahead. 
Sometimes the lack of an artists production is due to the lack of projected ideas. You have to think ahead! I always have at least 4-5 ideas for a painting brewing. I also have the photo references ready so I can jump into a work once I finish another. I keep a few sketch books lying around so I can jot down ideas as they come. When my ideas are getting low or I need more photo references, I set aside a day to take photos, visit a museum or gallery, and or hit up the library for some quite research time. 


I also have photo references ready so I can jump into new work once I finish another.

3. Make a daily to-do list
Make a list of everything you need to get done related to creating art and the art business for the next few weeks. Include deadlines, teaching engagements, client calls, printing, marketing, etc. Then number them in order of importance. Mark out what your going to get done each day of the week. At the beginning of each day, refer to the list and work your way down it. When you complete your tasks for the day make sure to take a little time to have fun (however it looks for you). This will help keep your art business in balance. Taking time to meet your relationship, physical, and mental needs is important for you, your family and friends. They will be more supportive the times you have to work late and you will be more energized to get back in the studio the following day because you took time to re-energize. 

4. Set a deadline and stick to it
Be realistic and fair, but give yourself a deadline. As it approaches evaluate your progress. You may need to cut out a few social calls or rearrange other obligations to complete the deadline, but its important you do! Not only will it give you a sense of pride, but it will also keep you on point with your goals. You will be showing galleries, museums, curators, and collectors that you can deliver while also increasing sales opportunities. 


Galleries will see that you can deliver on time, increasing sales opportunities.

5. What is it all for?
When is the last time you evaluated why you are creating? Why do you create? Do you have a series your working on, if so how close are you to completion? Is this series going to a gallery? If no, will you approach  a gallery with the series? Write down a few questions and answers that will help define your reasons for creating. With the big picture in mind and end goal in site, it will be easier to push through and continue to be productive.


What are your goals and reasons for creating?

Friday, October 17, 2014

Upcoming Class Opportunities

As I talk with my students many express frustration and a bit of fear when it comes to finishing a painting. I hear, "I get to a certain point and don't know how to proceed." Some of those emotions are just part of the art process....The key is to keep painting, find a place to learn and receive feedback, and learn from your mistakes.

I've organized a set of classes that help students learn key steps in the painting process. I don't just step up to the canvas and start slapping paint on - I do a lot of thinking and planning ahead of time. This planning time, in my opinion, is just as important as the painting time. From Start To Finish helps students work through these steps with guidance. As they work through a project of their own interest, I am there to help them climb and make it to the other side of the hill.

Classes meet on Thursday's from 10-2 at Patris Studio and Gallery - 3460 2nd Ave. Sacramento, CA. We will be meeting October 23, November 6, and 13. Please email me for registration and to receive a supply list. Also mark your calendar. I will be teaching a figure class this winter. 

Still a few spots open in my Speed Studies Workshop with Folsom Art Association. Please read more and sign up with Folsom Art Association -Click Here

"An extremely talented artist and teacher with a formal art background, Abby is able to provide the guidance needed for her students to advance in each of their styles. She devotes a good deal of time to each easel giving helpful critiques and suggestions in a supportive, friendly way. Abby's classes are always a great learning experience and a lot of fun." - Alison Bligh
"If you want to paint faster with confidence, Abigail VanCannon is the teacher for you.She has a gifted way of coaxing her students to lay on paint with speed and confidence! A talented, kind and giving artist who knows how to teach!" - Ann Larsen 

Wednesday, October 15, 2014

Tips - Preparing your canvas

Have you ever heard artists talk about the steps they go through to prepare the canvas before they even start painting? You may be surprised to learn that lots of artist have their own special process to ensure a good surface that they like to work from. Every artist has his/her own preference. Some like a rough surface, others smooth. Some like texture and others don't. Over the years I've figured out what works best for me. I like a smooth slick surface, so I use oil primer to lay down over the canvas before I start painting. I also usually mix a neutral color into a mid-tone value. This choice is important because it gives me a color and value to work with from the start. Instead of comparing everything to a white background I can compare it to a mid tone value.

My method is simple and quick. It no longer takes hours to prepare the canvas surface. Are you new to painting? Give this method a try and see how it works for you.

You will need: 
 - Canvas to prepare (I will often use cotton canvas)
 - Titanium White, Burnt Umber or Ivory Black Oil Paint (Burnt Umber - earthy brown finish, Ivory Black - cool gray finish)
 - A palette knife
 - Odorless Turpenoid or Gamblin (used to thin the oil paint and help it dry quickly)
 - Speedball Roller (you can buy these in most art stores in the printmaking section)
 - Tray to mix the paint (I use a plastic veggies packaging tray from the grocery store. I like the small size and I can throw away after a few uses)
 - Paper towels



Find a surface you don't mind getting a little painted and lay down your blank canvas or 
panels. I'll often prepare a lot of panels at one time. 


I chose to use the burnt umber since I am going to use many of these panels for plein air painting. I wanted a warm earthy base. Squeeze a ratio of 2 parts white paint to 1 part umber. Use your palette knife to mix the paint together. Make sure it is mixed well. On a scale of 1-10 you want a #5 value. Tweak your ratio until your happy with the value. When your happy with the value, pour a little odorless turpenoid in the tray and continue to mix. You want the paint to thin out, but still have a little viscosity to it. (think ketchup or mustard consistency)


Use your palette knife to scoop up some of the paint mixture and lay it in piles on the canvas. 


Use your roller to spread the paint evenly across the surface. You can push your canvas together and roll multiple canvas at once. Add more paint as needed to cover the surface of the canvas. 


Use paper towels to wipe off the roller, tray and palette knife. Let the canvas dry before using them. If you can store them in a dry warm area, they will dry quicker. Check by touch after a day. Feel free to stack until you need them, after they are dry. Still have questions? Feel free to leave comments or email me at vancannonart@gmail.com.

 Here's an example of a using prepared canvas. I can quickly block in the sky value and mountain ridge because I already have a base color.  
Because I have a base mid tone value it is easier to pick the value to block in my shadows. I can also quickly see which areas need to be lighter in value. 
 See more of my oil paintings on my website - www.vancannonart.com 
and like my Facebook Page - VanCannonArt

Tuesday, October 14, 2014

Tahoe Workcation

The lines of work and play can, for an artist, blend together like fine wine. Last week was what I like to call a workcation. I went to Lake Tahoe to paint outdoors for the week and capture some of the fall colors. I painted 8 hours a day and had a blast doing it. I left feeling rejuvenated as though I had taken a vacation.
 Part of the fun is finding gem spots like this one. A nice local man let us use his backyard to set up camp for a few hours. I was captivated by the moving and reflecting water. Thank you nice Truckee Man for the spot!

Between Kings Beach and Truckee we found a gorgeous aspen grove of Hwy 267. The leaves glittered gold in the wind and the contrast of gold, blue, and green colors was breathtaking. Just walking through the trees evoked peace and quite - a needed break from the daily stresses of life. Hopefully when you see my work it will take you on a trip through memories of peace and beautiful places.
The groves were so beautiful my painting buddy talked me into going back to Truckee a few days later to continue painting. We had been warned that Tahoe weather changes fast and these gold beauties would only be around for maybe another week. I was shocked that just two days later the leaves were already falling and trees changing. There was still plenty to paint, but it was raining leaves! 
Babbling River - 6x8 - $350 (includes frame)
Gold Girls - 8x10 - $475 (includes frame)
Contact Abigail for Purchase - www.vancannonart.com - 415.225.2161